home *** CD-ROM | disk | FTP | other *** search
- <text id=94TT1059>
- <title>
- Aug. 15, 1994: Music:Die Wagneren: A True-Life Opera
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1994
- Aug. 15, 1994 Infidelity--It may be in our genes
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- ARTS & MEDIA/MUSIC, Page 56
- Die Wagneren: A True-Life Opera
- </hdr>
- <body>
- <p>By Martha Duffy
- </p>
- <p> Bayreuth has always been run by a Wagner, and now it is Richard's
- grandson Wolfgang, 75, who is in charge. As skilled a manager
- as his forebear, possessing just as combative and strife-prone
- a temperament, Wolfgang is the most visible person at the festival.
- He also conducts one of the behind-the-scenes highlights at
- Bayreuth, the press conference that follows a new production.
- This year he outdid himself in grouchy garrulity. Ignoring the
- journalists' humble need to get quotes from all major participants,
- he grabbed the mike and answered questions addressed to Rosalie
- or Alfred Kirchner.
- </p>
- <p> Wolfgang has even more to say in Acts, his new autobiography.
- Mostly the book is an exercise in self-justification and a series
- of mud pies flung at his family. The Wagners are a contentious
- lot. At various times Wolfgang's son, daughter and a nephew
- have laid claim to his throne. He in turn insists that no blood
- relative is competent to rule.
- </p>
- <p> The deep shadow over Wolfgang's life remains his brother Wieland,
- a director of rare theatrical imagination who revolutionized
- the staging of Wagner--and all other opera--by doing away
- with conventional sets. Wieland died in 1966, leaving Wolfgang
- in command of the festival. He too has had a busy career directing,
- but his work tends to be fussy and literal, and he is not taken
- seriously. The rumor is that Wolfgang started his memoir when
- he heard he had a rival, American author Frederic Spotts, whose
- Bayreuth (Yale University; $35) appeared in late June. Once
- again Wolfgang has been badly bested.
- </p>
- <p> Spotts' great strength is the balance he maintains in his well-organized
- narrative. Music history, cultural comment and such issues as
- the family's embrace of Nazism are all deftly combined. Spotts
- told TIME he was so determined to maintain the right proportions
- that he omitted his biggest scoop: that Hitler sexually abused
- the young Wieland during the '20s. If he had gone into that
- scandal, Spotts says, "it would be all anybody wrote about."
- </p>
- <p> The book gives a detailed account of the family's anti-Semitism
- and its attachment to Hitler. Even after the war, Wolfgang's
- mother Winifred said she longed to see the Fuhrer come through
- the door again. To his credit, Wolfgang has banished any trace
- of anti-Jewish bias from the festival.
- </p>
- <p> The great subject of Bayreuth gossip now is, Who will replace
- Wolfgang? For the time being, no one; he shows that he is still
- more than capable of running a one-man show. He says the next
- boss may not be a Wagner at all, but he will probably choose
- his second wife, Gudrun, 50, formerly a festival secretary.
- That solution would follow tradition. When the composer died,
- his wife Cosima succeeded him for 23 years, then handed control
- to her son Siegfried. After he died in 1930, his widow Winifred
- continued in his place until after the war, when, publicly disgraced
- for her idolatry of the Nazis, she relinquished the festival
- in favor of Wieland and Wolfgang. Will there be a fight over
- Gudrun? As surely as the Rhinegold is cursed.
- </p>
- </body>
- </article>
- </text>
-
-